Monday, January 21, 2013

Seeing 2013 (#8)

For your consideration:  a study of what often transpires as the result of misplaced energy — inner radiance can  be vibrant and even enlightening, yet as with all things constraints are always in play, and for healthy reasons. Unbridled, wanton flow of energy in any direction ultimately escapes the confines and control of its container,  shattering an otherwise benign intent.  Vessels of all kinds are subject to such universal laws.  Thus, ever again, there's the inconvenience of no free lunch:  unrestrained current, regardless of purpose, can result in destruction and blindness.

Caveat lector.

As I approached this particular subject from a multitude of angles, utilizing various studio lighting configurations, each perspective yielded its own surprising organic sense of demise.  Presented is that image which most deeply resonated with me.  It stands as if an alien diplomat, at once formal, upright, properly stoic and forthright.  Yet the face has become one yawning, gaping orifice, one not so much conveying rational, reasoned messages but rather a moment of explosive fury, or anguish.  Either way, the result is a fractured, disconnected interior, awash in the smoky stains of excess.

Emissary (Blown), #1835-7D

© 2013 James W. Murray, all rights reserved.

(click image for larger version)

Details: January 14, 2013, Canon 7D; f/22 @ 1/80 sec; ±0 EV; ISO 100;
Canon EF 100mm f/2.8 Macro USM


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Visit my full photographic repository at jwmurray.smugmug.com

Wednesday, January 16, 2013

Seeing 2013 (#7)

For your consideration:

In a word, a study of compositional flow, symmetries, lines and depth of field.

As a child I discovered a love of dictionaries. Difficult to describe, but several facets were captivating to me: the various fonts (bold for the entries, italics for grammatical notes, etymology, and foreign usage); accent marks for syballic emphasis; illustrations with such attention to detail that they seemed works of art in their own right; and of course the definitions of a myriad of words previously beyond my knowledge.  So many of them!

As Steve Martin remarked, (paraphrasing), English has a word for everything!

Oh, and this:  the unique, distinct scent of an old book well made.  (Is there a Kindle app for that?  I think not.)

I recently acquired such an aged, rather pristine specimen, abandoned (gasp!).

Beloved tome, new studio lighting genre on which to focus . . . well, the addition of reading glasses just lends itself to photographic possibilities!


Focus, #1775-7D; 

© 2013 James W. Murray, all rights reserved.

(click image for larger version)

Details: January 10, 2013, Canon 7D; f/22 @ 1/30 sec; ±0 EV; ISO 400;
Canon EF 100mm f/2.8 Macro USM


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Visit my full photographic repository at jwmurray.smugmug.com



Tuesday, January 15, 2013

Seeing 2013 (#6)

For your consideration:  a study inspired by one the earliest of my influences, Andre Kertesz.  He was a master (naturally) of elegant simplicity in his still life compositions, imagery which feature strong lighting and consequent shadow play.

Continuing a theme which has held my attention for quite some time, the frequent observation, discovery and experience of larger realities which often exist beyond surface characteristics, this submission provides a case in point.  Had I set the illumination from a different angle the true nature of this photographic subject would be beyond any reasonable perception;  not much of any interest could be said of the coiled tube per se.

A bit of meditation unveils a more pointed understanding, that the central essence of this scene is utterly ethereal.  This is something to note.  C'est n'est pas une pipe, as it were.

Among some of my compatriots the phrase more will be revealed is well known and understood.  Pay attention:  there is always more to be gleaned from the universe in which we are largely unconsciously immersed.


(C)2013 James W. Murray, all rights reserved.
Trumpet Etude, #1818-7D; 

© 2013 James W. Murray, all rights reserved.

(click image for larger version)

Details: January 13, 2013, Canon 7D; f/32 @ 1/40 sec; ±0 EV; ISO 200;
Canon EF 100mm f/2.8 Macro USM


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Visit my full photographic repository at jwmurray.smugmug.com

Sunday, January 13, 2013

Seeing 2013 (#5)

For your consideration:  simple experimentation with newly acquired studio lighting equipment, on a macro scale.

The actual setting is the the surface of a small dining table leaf, itself perched across the arms of a recently repurposed office chair.  Lighting was via a single 160-watt strobe with a 33" lighting umbrella.

This submission is mostly "just for fun", but there's a opaque visual pun as well as another hidden pun implied within the title . . . the latter will be revealed only to the more creative, investigative viewer.

(C)2013 James W. Murray Photography, all rights reserved
Glowing Piglet (Homage à Tirpitz), #1745-7D; 

© 2013 James W. Murray, all rights reserved.

(click image for larger version)

Details: January 5, 2013, Canon 7D; f/32 @ 1/40 sec; ±0 EV; ISO 1000;
Canon EF 100mm f/2.8 Macro USM


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Visit my full photographic repository at jwmurray.smugmug.com

Saturday, January 12, 2013

Seeing 2013 (#4)

For your consideration:  perhaps a scene from the opening segment of an early 1970s television series, Night Gallery, an appropriately bizarre setting which served as Rod Serling's last significant pulpit.

Or perhaps, a Rorschach test?  (You decide . . . of course!)

In any case, the color red has long represented anger, passion, blood, fire, sacrifice and intensity . . . immersed in this chromatic atmosphere is an abstract form which immediately struck me as human in nature, albeit ambiguous in spatial orientation. Consequently I see a contradictory duality of both helpless falling and acutely focused fleeing.

The actual subject will remain a mystery except to those who offer their observations, thoughts, or speculations via comment (or email);  one hint is that a Macro lens was used with extremely strong back-lighting from the Sun.

Enjoy!

 (C)2013 James W. Murray, all rights reserved
Red Scare Escape, #1527-7D; 


© 2013 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 31, 2012, Canon 7D; f/5.6 @ 1/400 sec; —1/3 EV; ISO 640;
Canon EF 100mm f/2.8 Macro USM


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Visit my full photographic repository at jwmurray.smugmug.com


Friday, January 11, 2013

Seeing 2013 (#3)

For your consideration:   a Christmas Day evening portrait of a dear friend, taken moments before he was to head off for a lengthly drive back to his Nevada home under the lash of a winter storm.  (Better he than me!)

I've known Mr O'Brien for quite a few years now;  I've always found him to be serious thinker also possessed of a quick wit and engaging socially.  We've shared quite a journey on a mutual spiritual path; his candor and persistence are solid, invaluable characteristics which continue to impress me; he is capable of deep insights and more than a few men have benefited from his wise counsel.

Here he agreed to pose for me, such that I might practice a bit of flash techniques I'd just learned; my primary purpose were was to capture a serious man confronting stormy times (and standing tall throughout all).  This was taken well after sundown, under the last remaining, quickly evaporating light of dusk.


(C) 2012 James W. Murray Photography; all rights reserved.

Jim O'Brien, Christmas Eve Day, Dusk, #149-7D; 


© 2013 James W. Murray, all rights reserved.

(click image for larger version)

Details: December 25, 2012, Canon 7D; f/5.6 @ 1/30 sec; ±0 EV; ISO 500;
Canon EF-S 17-85mm f/4.5-5.0 IS @ 30mm

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Thursday, January 10, 2013

Seeing 2013 (#2)

For your consideration:  a scene I had to scamper to capture.

Light fades and colors change incredibly quickly during the day's closing moments, and the curtain fall on the final such scene of 2012 was no exception.  Not five minutes prior I had left a friend's house, in hasty pursuit of a decent overlook from within the surrounding housing tract . . . and in that brief interval of my dash downhill the massive clouds overhead were drained of their fleetingly crimson glow.

Even so, the sliver of those glorious hues hugging the far horizon serve as a reminder that one can always have faith that radiating beauty awaits if one simply journeys persistently and far enough.


(C)2012 James W. Murray Photography
Sunset, December 31, 2012, #1535-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details:  December 31, 2012; Canon 7D; f/4.5 @ 1/125 sec; —1/3 EV; ISO 320;
 Canon EF-S 17-85mm f/4-5.6 IS @ 17mm

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Visit my full photographic repository at jwmurray.smugmug.com

Friday, January 4, 2013

Seeing 2013 (#1)

For your consideration:  2013's opening salvo.

Without any pretense to profundity, I'm reasonably certain that this shall be a year of many shifts and changes, many welcome, some not; some imposed and others chosen.  Let the fun begin!

After spending a delightful New Year's eve with many assorted friends at Casa Gonzales, my wife and I came home the following evening to the disconcerting discovery that my car had been stolen. After 2012 I felt the bar was set pretty low for the prospects of 2013 being an improvement . . . I'm hoping this latest opportunity for growth is simply residual flotsam.

I find it hard to imagine that little CR-V was an obvious mark — what, with its various dents and considerable scrapes on three of the possible four sides, an attractive beauty it was not.  Add to that the perhaps creepy presence of a decapitated wig head and another mask staring perpetually, blankly from the back cargo area (atop a mishmash of blankets, cardboard boxes and orts of various pedigrees) this humble vehicle doesn't scream "cool ride!"  Maybe that in itself was the magnet, who knows?

Regardless, it is/was a great deal of fun to drive, a rare five-speed with the best visibility of any car I've ever piloted.  (This latter point is increasingly important as the inevitable, inexorable slow decline in my reflexes takes hold.)  Even at 192,000 miles it remains fuel-efficient . . . or at least relatively so.  Ah, loss . . .

Of course it helps to keep a bit of perspective:  it's only a car.  Being afflicted with ALS, MS or paralysis trump this quite temporary inconvenience, certainly.  There's no comparison.

Besides, my very own brother Eric and his wife Sharon suffered a worse assault over the Christmas weekend:  whilst blissfully vacationing at our family home in the serene rural countryside, burglars broke into their Bay Area home, removing materiel and allowing my sibling's indoors-only cat to escape.  Such an intrusion into one's personal, interior space is far more upsetting and frightening than having something stolen from the street. It will likely be awhile before my brother and sister-in-law feel totally at ease again in their own living quarters. 

I am deeply grateful that nobody was hurt (and, the last I heard, kitty is back home, safely behind walls).

All of this has given me pause to consider the flip-side of thievery:  the relentless pressure of wanting to escape, the urge to flee when times become too difficult, particularly when subjected to prolonged duress.  It is fascinating how varied the human spirit is in this regard:  some fold under the slightest conflict, while others endure unimaginable suffering for long periods beyond comprehension.  There exists no clearly defined predictor of which I know of who possesses a given degree of determination when facing acute tribulations.

Much to my surprise — and comfort, oddly — I find that I am able to navigate considerable passages of challenging, often daunting times.  Certainly not easily, nor particularly gracefully.  Even so, deep within I harbor a fundamental reservoir of optimism, a belief that if one simply persists long enough, with the application of tolerance, love, compassion and hope, things will heal and turn out well.

Ergo, no matter what 2013's remaining 361 days hold, I shall trudge on.

This submission is a scene suggesting a kinetic burst of unknown material no longer willing to be restrained; the difference between forcibly taken versus forcible egress. 

A final note to followers of these entries:  for this year I ardently invite you to leave comments on these offerings, of your emotional response to the visual (or written) subject matter, and especially your speculations of the true nature of the images.


(c) 2012 James W. Murray
Paroxysm, #0807-7D

© 2012 James W. Murray, all rights reserved.

(click image for larger version)

Details:  November 15, 2012; Canon 7D; f/8 @ 1/2500 sec; —1/3 EV; ISO 800;
 Canon EF 100mm f/2.8 Macro USM

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